Her songs, including “Gloria,” explore how her alcoholism affects the relationship between her and her children: “Gloria, you crawled up on your cross; Gloria, you made us sit and watch; Gloria, no one said enough is enough.”, The second chapter concerns Gloria’s grandson, Junior Sparks. The theme of isolation is revisited in the melancholic "My Cell". Yet the visual representation demands the viewer bear witness to the family's trauma. The Lumineers III — the band obviously likes their album titles short and to the point — maintains the group’s fondness for providing hushed melodies that quietly build, billow and then conclude with majesty and grace. Their newest album, III, is a glorious explosion that reminds fans what folk rock is really about: unflinching storytelling.The new project follows one family's story of addiction through three generations. Strangely, no song is particularly memorable between all the rough acoustic riffs and Schultz’s signature raspy vocals. III and the accompanying music video are culturally important points of contact with the realities of addiction. The Lumineers III Editorial Reviews Two-time GRAMMY-nominated band The Lumineers are back with their third album, III, a cinematic piece presented as a narrative in three chapters, with each one centering on one main character. As such, the Lumineers offer a thoughtful and compassionate portrait of addiction's cycle. Share and discuss “Third time is not the charm on The Lumineers’ ‘III’” on social media. III is a cerebral and disquieting portrait of addiction. The album ends with the track "Salt and the Sea" avowing addiction as a disease rather than a problem of will. © 1999-2020 PopMatters.com. But III is a cinematic album undertaking a complicated subject. Gloria, based on Wesley Schultz's family member, is ravished by alcoholism. Is Christian Petzold's 'Undine' Myth or Therapeutic Dialogue? Subscribe to our weekly email about what's trending at Duke. Directed by Kevin Phillips. The numeric title carries a double meaning: the album is a song cycle told in three parts, with the first two available as a digital EP prior to the September 2019 release of III. But "Gloria" presents a facade; the buoyancy is akin to an addict's attempt at hiding their addiction with fabricated happiness. As well as being the Lumineers' third album, the album title also references that the album is presented in three chapters, each focusing on a different main character of the fictional Sparks family. While the Sparks family of the album is fictional, the concept is rooted in the band members’ real-life struggles with cyclical addiction. III is a cerebral and disquieting portrait of addiction. And those consequences are never good. The narrative can be powerful at moments; however, the songs fall flat when divorced from the album’s overarching story. 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It’s simple, yet complex, lyrics are very touching and clever, music is top notch, you cannot skip a song. The Lumineers have always had a knack for narrative songwriting. Music Reviews: III by The Lumineers released in 2019 via Decca Records. As such, the Lumineers deliver the album with compassion and clemency. Share Tweet. With two platinum albums already under their belt, expectations are high for alternative folk outfit The Lumineers, who are touring in support of their latest studio album III. Released 13 September 2019 on Dualtone. All rights reserved.PopMatters is wholly independent, women-owned and operated. This theme continued with their second album in 2016, which was partly inspired by an eccentric taxi driver, the titular “Cleopatra,” whose life story had a profound effect on the band’s lead singer Wesley Schultz. This multigenerational tale of woe follows a family that is, at its core, extremely dysfunctional. There are bands that can really pull off a powerfully bitter breakup song — The Lumineers, however, are definitely not one of those bands. The subsequent "Life in the City" and "Gloria" shifts the lens to Donna's daughter Gloria Sparks. Here the band is explicit, almost heavy-handed, in establishing the album's interconnections. On their third album, cleverly titled “III,” The Lumineers continue their tradition of storytelling on a much more ambitious, personal scale. The concept album tells the story of a family dealing with alcoholism in three distinct acts, each featuring around three songs. Whereas the lyrics don't fully capture Gloria's psychology, the video depicts the character suffering from a similar mental illness as her mother's. However, The Lumineers’ ambition for “III” is not without any merit — it’s an album of charming, albeit thematically bleak and often forgettable, acoustic tunes. Jimmy is an abuser, chronic gambler, alcohol, and pill addict. SHARES. As such, the album might seem inaccessible to some, schmaltzy to others. My favorite is not Gloria, the lead single, it’s Jimmy Sparks. The Lumineers broke up the story telling by splitting III into three parts, the final of which will be released on Sept. 13, along with the album as a whole for the first time. The … It’s a musical, artistic puzzle and short movie, all packaged into one. Both women are defined by periods of mania followed by inactivity, all extenuated by heavy drinking and dangerous behavior. The album opens with the eponymous " … In the song “Leader of the Landslide,” he describes how Gloria “drank the whole bottle, forgot my name; all I ever wanted was a mother for the first time,” coming to the angry conclusion that “maybe when she's dead and gone I'll get some sleep.”, In the album’s third chapter, the cycle comes full circle: just as Gloria’s alcoholism ruined her relationship with her kids, her son Jimmy lets his alcoholism stand between his relationship with his son, Junior. The Lumineers – III (Album Review) Posted at 09:57h aLfie vera mella cryptic rock, CrypticRock, Music reviews, News, Reviews 0 Comments. Take, for example, the song “It Wasn’t Easy to Be Happy for You,” from the album’s especially shaky second chapter. Indeed, they mostly earn some semblance of that title. The album ends with Junior bitterly abandoning his father: “The old man waved his hands with tears in his eyes, but Jimmy's son just sped up… ‘cause it’s me or him.”. Unlike the band’s iconic folk-infused ballad “Ho Hey,” it is unlikely any single song from “III” will be stuck in your head for the next few years. 20 Virginia Tech, Michael Mutersbaugh remembered for generosity, optimism, Five observations from Duke men's basketball's first half against Virginia Tech, Duke reports 34 new positive COVID-19 tests for students, 28 for faculty and staff out of 10,287 total, Duke alum to lead Biden's COVID-19 response. The tale is grounded. It’s an amazing record! Both Gloria and Donna embody the intricacies of struggling with illness while fully illustrating the repercussions of alcohol dependency. With Anna Cordell, Nick Stahl, Charlie Tahan, Joshua Close. Through "Jimmy Sparks" listeners learn that after Junior was born "the mother had other reasons to live / She left the baby with a note on the bed". The underpinnings of addiction are impossible to identify. III, an Album by The Lumineers. 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